Tshiamo Malatji writes about Kamara, a bizarre combination of poetry, dance and puppetry, directed by Jojo Mokirisi and starring Kwena Peu.￼
Sipho Mnyakeni reflects on the legacy of Oliver Tambo, as seen through the Dear Oliver Tambo production.
Local journalism is a matter of plentiful harvest and few workers, argues Tshiamo Malatji.
A love letter from Thembekile Tshabalala to her supporters
The Naked Slam, like any other slam, couldn’t come and go without controversy and peer confrontations. Discontent was mostly about the judging criteria, with many voices unhappy with the outcome, believing strongly that, rather than Tshiamo Malatji, Hlox Da Rebel deserved the crown.