From the coherent choice of songs to Brenda Yalezo’s thematically profound act of taking off her shoes on stage, Keletso Mofokeng’s show was one memorable parable of divine rest, writes Ace Moloi
ART STATE publisher Mpho Matsitle shares a reflection on Gig Culture’s birthday edition of Jazz On The Lawn that took place on Sunday March 28 at Elrido Guest Lodge.
iToyiToyi is a brilliant attempt to bring three artforms – Music, Poetry and Dance – into confrontation about their respective roles in the liberation struggle, and a tantalizing invitation to ponder on these and other ‘black expressions of pain and struggle’. It is however done a major disservice by its fetish to ground grand ideas into readily consumable ..read more
Mangaung’s prodigal son, Masedi Manenye, took a short-left back home to open the new decade with his new multifaceted musical, iToyi-Toyi. Tshiamo Malatji took notes and files this report for ART STATE.
Truth be told, Khumo “K.Set” Sethoba is a profound word magician who writes soulfully and recites fluently, observes Ace Moloi.
Ace Moloi was at the prestigious Liberty Radio Awards and decided to be generous with his notes.
For the first time this year, the lights were on at the Performing Arts Centre of the Free State, but – reports ART STATE publisher Mpho Matsitle – that is where the good news end.
Tshiamo Malatji’s poetry chapbook, Happi-, is a conceptually competent conversation with death, writes ART STATE publisher Mpho Matsitle.
Matwetwe is an all round sensory pleasure. You just sit there with a stubborn smile on the face the entire time, almost as if you have imbibed in the product at the centre of the film, writes ART STATE publisher Mpho Matsitle.
Verve K’s EP is for everyone who still has faith in music as art and not just noise, writes Ace Moloi.